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And as meatpackers race to dominate global markets through lower prices, falling standards cause terrible cruelty, environmental degradation and dangerous, dead-end work. In her overview of the recent mortgage market, Heffernan makes a serious case that competition greatly exacerbated the financial crisis. When the market crashed, there were no safe havens left. She might have benefited from fewer, more in-depth examples of both the costs of competition and the viable alternatives.
Is there a relationship between innovation and the ability to ask ambitious questions? To make his case, Berger tells a variety of stories. One of the most memorable is that of Van Phillips, who lost his lower left leg in a water skiing accident in , when he was in his 20s. Her question set Land to thinking: What if you could somehow have a darkroom inside a camera? That question in turn led Land — the founder of the Polaroid Corporation — to ask how to apply chemicals inside the camera and how to print a positive, among other technical hurdles.
In , the company introduced the first commercial instant camera. Whomever they deemed the winner moved on.
The other person was shot, without mercy, with a paintball gun wielded by my friend Eli, a very good person who was able to turn off his morals to do this job. This show sold out. People around town talked about it. Instead of doing it again, I went back to the more basic stuff. About a year later, I staged a storytelling show where everyone was required to tell stories of pooping their pants. Instead of the traditional microphone stand or podium you might find at a storytelling show, I placed a toilet center stage.
Everyone was required to pull down their pants and sit on the toilet while telling a crowd about times they shat themselves. It was also massively popular. I took great joy in staging a conversation at Peter McManus, a bar in Chelsea comedians love to visit.
These harmless conversations got analyzed in back booths with great vigor.
For about a month, this became a dominant topic of conversation in my community. People created their own ranking systems. But who would win in a fucking street fight? Then, a moment of inspiration struck.
A few other masochistic comedians and I rented a warehouse in Brooklyn. We set up four stanchions and connected them with police tape to make ropes for our makeshift ring. We hired a professional boxing referee. Six pairs of comedians faced off.
Some of us took boxing lessons in the weeks leading up to the fights. Then, we fought. The first fight quickly showed that this day would be taken seriously.
In real life, he is a warm, inviting guy, but in the ring he has a heart of stone and a jab that can draw blood. Everyone present at the warehouse agreed to keep the results under lock and key.
We screened all six fights to a bloodthirsty sold-out crowd at the UCB Theatre. Paul Scheer took bets. I buzzed with energy.
It was a thrilling night. But when I got home, I lay in my bed unable to sleep because I thought everyone was going to think all I could do well was weird stuff. In , a group of students at New York University took to my comedy.
They showed up at every show I did. They sometimes wore homemade T-shirts with hand-drawn sketches of my face on them or phrases like geth busy living or geth busy dying. But they were insistent that their affection was genuine. It got under my skin. I felt like I was being made fun of. So I joined the group. To my shock, they did. We did the math and realized to make this bus pay for itself, we had to charge forty dollars a ticket. That was an exorbitant price for young comedy fans in New York City who are used to their shows being priced at five bucks.
It sold out right away. I drove people to the actual locations of some of my most strange, grim experiences and told them the tales up close and personal. I even brought a group of sixty random people into the basement of the house I grew up in, which my family had sold eleven years prior.
I stood near a wall, narrating events from my childhood. In , I was feeling restless and wanted to mount some sort of new show. My sincere hope was to make something industry friendly. Something that people who have hiring power in the comedy world might see.
Maybe I could get a staff writing job on one of the comedy shows that filmed in New York.
The Daily Show. I just had to figure out how to make it clear that I could play ball by the terms of those productions. I hatched an idea: By showing off my version of a talk show, I hoped I could put myself in a position to get a job with one someday. Why do you want to put on a shirt and tie?